In 1970, Med Hondo, a Mauritanian-born French filmmaker renowned for his radical productions, released “Soleil O,” which seems to echo the sentiments of Frantz Fanon’s 1952 book “Black Skin, White ...
He works in mysterious ways.
This upcoming Friday, when two simultaneous New York revivals of Med Hondo’s films get under way, many viewers are going to find their cinematic map expanding. Film Forum will be screening a new ...
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