Ernst’s trailblazing “collage novels" employ the dreamlike conjunction — the fusion or juxtaposition of unlike elements whose collision makes perfect sense, in a free-associated way. The dreamlike ...
Ernst’s trailblazing “collage novels" employ the dreamlike conjunction — the fusion or juxtaposition of unlike elements whose collision makes perfect sense, in a free-associated way. In the Museum of ...
[ { "name": "Related Stories / Support Us Combo", "component": "11591218", "insertPoint": "4", "requiredCountToDisplay": "4" },{ "name": "Air - Billboard - Inline ...
“Beyond Painting”, the title of a major exhibition of the work of Max Ernst at the Museum of Modern Art in New York, could be mistaken for a curator’s matter-of-fact description of a show that, ...
Surveying the long career of German-born artist Max Ernst (1891–1976), this exhibition puts emphasis on his engagement with process. MoMA has drawn from its holdings of Ernst’s paintings, sculptures, ...
Comparative Literature Studies, Vol. 16, No. 1, Highlights of the Northeast Student Conference (Mar., 1979), pp. 41-47 (7 pages) ...
The surrealistic visual novel filled with violence and death, repressed sexuality and anthropomorphic beasts continues to captivate its audience. But what does it say about its creator? Max Ernst, ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback