You can’t really tell someone they’re in a cult unless they’re ready to leave one, and you can’t really claim to have made a cult film until your movie behaves like that. From the ever-growing list of ...

Shiguéhiko Hasumi — mentor to Kiyoshi Kurosawa and Ryusuke Hamaguchi — will attend the Japan Society retrospective, which is timed to the long-awaited English release of his signature book, 'Directed ...

Easily one of the most renowned filmmakers in the world today, Paul Thomas Anderson has been mesmerizing audiences for nearly 40 years with his gripping, thematically complex movies. The acclaimed ...

A dead rat in a studio exec’s hotel bed is just one of the many obstacles that got in the way of creating the film.

Tom Hanks is an embittered widower who finds his views challenged by new neighbors. Directed by Marc Foster, it's a remake on the Swedish film "A Man Called Ove." Rated PG-13. Opens Jan. 6 throughout ...

Overview Discover timeless Oscar-winning films streaming on Netflix for award-worthy storytelling and cinematic brilliance.Experience drama, romance, and action ...

Paul Schrader tells the incredible story of why his masterpiece “Mishima: A Life in Four Chapters" never showed in Japan and shares details of his new film “Non Compos Mentis." ...

For more recommendations, check out our list of the best shows and movies on Prime Video. Directed by Ben Affleck and written by Alex Convery, Air is a corporate biographical drama that recounts the ...

Bengali Indian filmmaker Satyajit Ray repeatedly pondered the intersection of post-colonial identity and rural tradition across his filmography. In his 1970 picture “Days and Nights in the Forest” — a ...

Fighting against YouTube is a losing battle, but that’s what I’m doing in life, apparently. One thing that’s different is there’s lots of women in class now. When I started teaching at NYU, some ...

He and ill-fated director Al Adamson fed drive-ins with these kinds of movies - ‘Dracula vs. Frankenstein' among them - starting in the late 1960s.

There are personal elements to Bruce Beresford’s new film about a set designer who returns home to Australia to deal with his ageing parents.