Eddington is, I think, less about political axe grinding, or even point making, and more about what it feels like to have all ...

Covid and mask mandates are still a sensitive subject for many. Is this too much, too soon?

Somehow still, the film manages to be hilarious, heart-wrenching, shocking, infuriating, and genuinely exciting, while still feeling like an honest, microcosmic appraisal of America ...

What — beyond Aster’s evident desire to tweak both sides of the political spectrum — might be going on here? Look deeper and ...

Imperfect and overlong, Ari Aster's fourth feature still ends up as a neat snapshot of the COVID years, as well as a sly ...

The man behind the visual styles of "Seven" and "Amour" worked with writer/director Ari Aster for the first time on ...

The first and maybe only true jump scare in Ari Aster’s “Eddington” comes right at the start. A barefoot old man trudges down ...

Ari Aster and A24's black comedy, Eddington, boasts strong performances, visuals, and social commentary, but it struggles to distill all the chaos of the pandemic into one film.

No one in the cast seems keen to talk about Ari Aster’s latest film.

Set against the eerie stillness of pandemic-era New Mexico, Eddington is less about the virus and more about the fever it ...

Katy Perry’s ‘Firework’ is perfect, but it took Aster trying hundreds of songs after not getting the rights to a Jay-Z track.

Travis Hopsin of Punch Drunk Critics says the fear surrounding the pandemic, Black Lives Matter and the George Floyd protests ...